rock, rock. The typical ltokouos of Cuenca and the quaint volumetry are gradually superimposed in the design so that it appears to be literal, even though it is not truly so. Literal? Without a figurative sense? Is the gaze really so innocent? Here, at least two realities intertwine, but there are more, as many as there are senses that one can or wishes to give. The scheme of the project rests on the same foundations those two levels of reality so often doomed to meet and perhaps to not understand one another, which insert architecture in the field of the production of goods that, despite having the same form, do not share the same meanings. An experiment by way of operational realism (Bourriaud, 2001) that represents the drama of architecture in parody key. After all, one must be very serious to not enjoy a comedy. —————–thanks for linking us.David B.Plataforma Arquitectura
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